/FONT#0=BDR40/FONT#1=NGR30/FONT#2=BASI30/FONT#3=CLAR30
␈↓␈↓↓␈↓α␈↓β␈↓ ↓H
␈↓␈↓ ∧bSTANFORD UNIVERSITY␈↓ ↓H
␈↓ ¬~Department of Music␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓↓␈↓ αKAs a service to our graduates we would like to offer you a list of current and␈↓ ↓H
former students who are presently candidates for academic jobs.␈↓ ↓H
␈↓ ↓H
␈↓ αKIf any of the these listed seem to have the qualifications for an opening at your␈↓ ↓H
institution we would suggest that you contact the candidate's major advisor, listed just␈↓ ↓H
below the degree dates.␈↓ ↓H
␈↓ ↓H
␈↓ αKA simple way to determine if any of these people are suited to your needs␈↓ ↓H
would be to phone the major advisor directly.  He would be happy to speak with you.␈↓ ↓H
The department number is (415) 497-3811.␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
The Candidates:␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βRosemary N. Killam␈↓↓␈↓ ¬T␈↓ εW␈↓ πZB.Mus Eastman School of Music (1960)␈↓ ↓H
101C Escondido Village␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. George Washington U. (1969)␈↓ ↓H
Stanford, CA 94305␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford (expected 1976)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Wolfgang Kuhn␈↓ ↓H
␈↓ ↓H
␈↓↓Primary area:  Music Theory␈↓ ↓H
    Dissertation title:␈↓ ∧Q␈↓αA Study of Triad Recognition and Confusion␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qby Stanford Undergraduate Music Majors  ␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas: Computer-assisted Instruction, Psychoacoustics, Music History␈↓ ↓H
␈↓ ↓H
Performing ability:  piano, harpsichord, Renaissance flute␈↓ ↓H
Publications:  (most recent) ␈↓αA Computerized System for Research and Instruction in Music,␈↓ ↓H
    ␈↓↓Lorton, Killam, & Kuhn, Second International Federation for Information Processing␈↓ ↓H
    Conference, Sept., 1975, Marseille, France.␈↓ ↓H
␈↓ ↓H
␈↓↓Teaching Experience:  Music Theory Instructor, Tarleton State U., 1969-1972␈↓ ↓H
␈↓ ↓H
␈↓ ↓H␈↓ εM2␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βJohn Orian Robison␈↓↓              ␈↓ εW␈↓ πZB.A. Oakland University (1971)␈↓ ↓H
␈↓↓605 Guinda␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. Stanford University (1972)␈↓ ↓H
Palo Alto, CA 94301␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford University (1975)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. William Mahrt␈↓ ↓H
␈↓ ↓H
␈↓↓Primary area:  Early Music␈↓ ↓H
   Dissertation title:␈↓ ∧Q␈↓αVienna, National Bibliothek Ms. 18810:␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QA Transcription of the Unpublished Pieces with Comments on␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QPerformance Practices in Early Sixteenth Century Germany.␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:  Music History, Theory␈↓ ↓H
␈↓ ↓H
Performing ability:␈↓ ∧Qlute, renaissance winds, baroque oboe, baroque␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qrecorder, modern oboe/English horn␈↓ ↓H
Performances:␈↓ βNOrganized and directed The Masque of Flowers, Chamber␈↓ ↓H
␈↓ αK␈↓ βNMusic of the High Baroque, and Courtly Music of the Northern␈↓ ↓H
␈↓ αK␈↓ βNRenaissance.␈↓ ↓H
␈↓ ↓H
Teaching experience:␈↓ ∧QTeaching Asst. for Renaissance and Baroque Music and the ␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QSymphony; experience teaching lute, oboe, and recorder privately.␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βKathleen Ann Chaikin␈↓↓␈↓ ¬T␈↓ εW␈↓ πZB.A. Wellesley College (1967)␈↓ ↓H
1111 Harker Avenue␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZPh.D. Stanford University (1975)␈↓ ↓H
Palo Alto, CA 93301␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Imogene Horsley␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓↓Primary area:  Baroque (Italian)␈↓ ↓H
    Dissertation title:␈↓ ∧Q␈↓αThe Solo Soprano Cantatas of Alessandro Stradella␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:  Renaissance, performance practice, music history, history of vocal music␈↓ ↓H
␈↓ ↓H
Performing ability:  voice (lyric soprano)  (will not teach voice)␈↓ ↓H
Publications:␈↓ βNCorrespondant for Current Musicology, 1970-72;␈↓ ↓H
␈↓ αK␈↓ βNEdition of Motets of Ludovico Viadana, (in press)␈↓ ↓H
␈↓ ↓H
Teaching Experience:  Teaching Asst. in elementary theory, history of Baroque music␈↓ ↓H
␈↓ ↓H
␈↓ ↓H␈↓ εM3␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βPatricia Farris Hennings␈↓↓␈↓ ¬T␈↓ εW␈↓ πZB.A. Pomona College (cum laude 1971)␈↓ ↓H
2102 Bowdoin␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. Stanford University (1972)␈↓ ↓H
Palo Alto, CA 94306␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford University (1975)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Harold Schmidt␈↓ ↓H
␈↓ ↓H
␈↓↓Primary area:  Choral Conducting/Choral Literature␈↓ ↓H
   Dissertation title:␈↓ ∧Q␈↓αA Performance Edition and Study of Messa di Papa␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QMarcello del Palestrina ridotta a quattro da Giovanni Francesco␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QAnerio con il Basso continuo per sonare␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:  music history and theory␈↓ ↓H
␈↓ ↓H
Performing ability:  conducting (instrumental/choral), flute  (will teach)␈↓ ↓H
␈↓ ↓H
Teaching experience:␈↓ ∧QTeaching Asst. Stanford Chorale, 73-74; faculty␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qmember, Menlo College, 73-74, taught chorus & madrigals␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βSteven Louis Martin␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZ␈↓↓B.A. U.C.L.A. (Math. 1967)␈↓ ↓H
954 Van Auken Circle␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. Stanford (1974)␈↓ ↓H
Palo Alto, Ca.  94303␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford (expected '75-'76)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Leland Smith␈↓↓␈↓ ↓H
␈↓ ↓H
Primary area:␈↓ βNComposition, theory, computer applications␈↓ ↓H
   Dissertation title:␈↓ ∧Q␈↓αAn extended composition of computer-generated sound.␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:   Contemporary music, acoustics, musicianship␈↓ ↓H
␈↓ ↓H
Performances:    Several performances of compositions in Bay area.␈↓ ↓H
␈↓ ↓H
Teaching Experience:␈↓ ∧QCourse assistant to Gyorgy Ligeti, assistant in several other␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QStanford Music Department courses, concert hall manager.␈↓ ↓H
␈↓ ↓H␈↓ εM4␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βJulie Steinberg␈↓↓␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZB.A. Sarah Lawrence College (1968)␈↓ ↓H
2307 Derby␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. Stanford (1970)␈↓ ↓H
Berkeley, CA  94705␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford (1973)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Leland Smith␈↓↓␈↓ ↓H
␈↓ ↓H
Primary area:␈↓ βNPiano performance␈↓ ↓H
   Dissertation title:␈↓ ∧Q␈↓αA Performance study of "Vingt regards sur l'enfant Jesus"␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qby Olivier Messiaen␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:  Theory, contemporary music, the Classic period␈↓ ↓H
␈↓ ↓H
Performances:␈↓ βNSeveral concerts, solo and chamber music of all eras.␈↓ ↓H
␈↓ ↓H
Teaching experience:␈↓ ∧QDiablo Valley College, 1974 (piano and theory),␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QSonoma State College, Extension, 1975, (piano)␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓ ↓H
␈↓βColleen Magee Snyder␈↓↓␈↓ ¬T␈↓ εW␈↓ πZB.A. Stanford (1968)␈↓ ↓H
212 O'Keefe␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZM.A. Stanford (1969)␈↓ ↓H
Menlo Park, CA  94025␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓ πZD.M.A. Stanford (1975)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓βMajor Advisor:  Prof. Harold Schmidt␈↓↓␈↓ ↓H
␈↓ ↓H
Primary area:␈↓ βNChoral and Instrumental Conducting; Choral Literature␈↓ ↓H
   Dissertation title:␈↓ ∧Q␈↓αCantiones Sacrae quinque Vocum cum Basso Continuo (1617)␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qby Richard Dering, ca. 1580-1630, a Transcription and Analysis␈↓ ↓H
␈↓ ↓H
␈↓↓Secondary areas:  Woodwinds, Voice, piano, Music Ed.␈↓ ↓H
␈↓ ↓H
Performing ability:␈↓ ∧Qconducting - choral and instrumental; saxophone, clarinet,␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Qpiano, voice (will teach)␈↓ ↓H
␈↓ ↓H
Major works conducted in Concert:␈↓ εWVivaldi ␈↓αGloria; ␈↓↓ Mozart ␈↓αVespers;␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧Q␈↓ ¬T␈↓ εW␈↓↓several cantatas of J.S. Bach, etc.␈↓ ↓H
␈↓ ↓H
Teaching experience:␈↓ ∧QTeaching asst., Stanford Choir, '72-73;  Director, Ohlone College␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QCantorum, '74-continuing;  Teaching asst., Stanford Wind Ensemble,␈↓ ↓H
␈↓ αK␈↓ βN␈↓ ∧QSpring, '75;  Asst. Cond., Livermore-Amador Symphony, '74-continuing.␈↓ ↓H